By Wendy Wasserstein / Directed by Robin Roberts
October 3, 4 & 5 at 8 p.m. and October 6 at 2 p.m.
Comprised of a series of interrelated scenes, this Pulitzer Prize-winning play traces the coming of age of Heidi Holland as she tries to find her way in a rapidly changing world. Starting in 1989, we see her evolution, from a high school student to successful art historian. Along the way, she begins a romantic relationship with a glib publisher and a more meaningful friendship with a pediatrician. She also navigates encounters with other women, now much changed, including those who were part of her childhood and college years.
NOTE: Audience discretion is advised.
By Sophie Treadwell / Directed by Nicolas Crisafulli
November 14, 15 & 16 at 8 p.m. and November 17 at 2 p.m.
When it premiered in 1928, this classic American play was praised for its innovative, expressionistic style and staccato dialogue. It chronicles the life of a young woman who is victimized and dehumanized by everyone around her. Playwright and journalist Sophie Treadwell based her drama on the real-life sensational Ruth Snyder-Judd Gray murder trial.
By Sarah DeLappe / Directed by Nicolas Crisafulli
March 12, 13 & 14 at 8 p.m. and March 15 at 2 p.m.
As an indoor soccer team goes through a series of warm-up and practice sessions, its members navigate big questions and wage tiny battles with all the vim and vigor of a pack of adolescent warriors. This portrait of life, liberty, and the pursuit of happiness for nine American girls who just want to score some goals premiered in 2016 and was a finalist for the Pulitzer Prize. NOTE: Audience discretion is advised.
By Theresa Rebeck / Directed by Chelsea Anderson
April 30, May 1, 2 at 8 p.m. and May 3 at 2 p.m.
Pygmalion goes awry in this contemporary comedy of manners, which explores sexual harassment, misplaced amour, and the possibility of a four-sided love triangle. The combatants are a sexy, volatile young woman, a lawyer, a writer, and a fiancée in sensible shoes. The setting is Boston, the ending is happy, and laugher abounds.
NOTE: Audience discretion is advised.
| 2004-2005 | 2005-2006 | 2006-2007 |
| Little Shop of Horrors | Macbeth | Picnic |
| Extremities | How the Other Half Loves | Blue Window |
| The School for Scandal | The Glass Menagerie | Alice in Wonderland |
| Blithe Spirit | Cinderella | Chicago |
| Ghosts | ||
| 2007-2008 | 2008-2009 | 2009-2010 |
| Brighton Beach Memoirs | A Midsummer Night’s Dream | Present Laughter |
| Dig (an original play) | A Festival of Short Plays | The Shape of Things |
| Poor Aubrey | Putting It Together | The Three Sisters |
| Baby: the Musical | Hansel & Gretel | Speaking in Tongues |
| Phèdre | ||
| 2010-2011 | 2011-2012 | 2012-2013 |
| Dead Man’s Cell Phone | Our Town | As You Like It |
| Gypsy | The Little Dog Laughed | A Perfect Couple |
| The Philadelphia Story | The Visit | All My Sons |
| A Festival of Short Plays | After Ashley | A Festival of Short Plays |
| 2013-2014 | 2014-2015 | 2015-2016 |
| Anon(ymous) | Metamorphoses | Still Life with Iris |
| Gaslight | On the Verge | Uncommon Women and others |
| The Play’s the Thing | A Festival of Short Plays | The Hamlet Project |
| The Internationalist | Waiting for Lefty | The Bald Soprano |
| 2016-2017 | 2017-2018 | 2018-2019 |
| Side by Side by Sondheim | The Miser | Twelfth Night |
| The Exonerated | The Grown-Up | Seascape |
| The Clean House | Round and Round the Garden | Evolutionary |
| Anton in Show Business | Becky Shaw | Festival of Short Plays |